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Your Heart Belongs To Me By Dean Koontz

Your Heart Belongs To Me By Dean Koontz
Amazon.com Review
Book Description

From the #1 New York Times bestselling master of suspense comes a riveting thriller that probes the deepest terrors of the human psyche—and the ineffable mystery of what truly makes us who we are. Here a brilliant young man finds himself fighting for his very existence in a battle that starts with the most frightening words of all…

At thirty-four, Internet entrepreneur Ryan Perry seemed to have the world in his pocket—until the first troubling symptoms appeared out of nowhere. Within days, he’s diagnosed with incurable cardiomyopathy and finds himself on the waiting list for a heart transplant; it’s his only hope, and it’s dwindling fast. Ryan is about to lose it all…his health, his girlfriend Samantha, and his life.

One year later, Ryan has never felt better. Business is good and he hopes to renew his relationship with Samantha. Then the unmarked gifts begin to appear—a box of Valentine candy hearts, a heart pendant. Most disturbing of all, a graphic heart surgery video and the chilling message: Your heart belongs to me.

In a heartbeat, the medical miracle that gave Ryan a second chance at life is about to become a curse worse than death. For Ryan is being stalked by a mysterious woman who feels entitled to everything he has. She’s the spitting image of the twenty-six-year-old donor of the heart beating steadily in Ryan’s own chest.

And she’s come to take it back.

Amazon Exclusive Essay: Dean Koontz on Writing Your Heart Belongs to Me

I have been asked by the secret masters of Amazon how much research into transplant surgery I did before writing Your Heart Belongs to Me. I would like to reveal that, in the interest of accuracy and the accumulation of vivid detail, and because I bring total commitment to my writing, I underwent a heart transplant myself, even though I didnt need one. This would be a lie, however, and people without a sense of humor would write by the hundreds to accuse me of taking a perfectly good heart needed by some patient who really needed it.

To prepare for this novel, I read a few books on the subject of transplants, watched two educational films during which I passed out repeatedly at the sight of blood, and spoke with a few medical specialists in the field–largely to ascertain how they manage not to pass out in surgery every time they expose the pulsing internal organs of a patient.

Ryan Perry, the lead of Your Heart Belongs to Me, is 34, wealthy from the Internet social-networking site that he created, with an ideal life ahead of him. Then he learns he suffers from cardiomyopathy and will die within a year if he does not undergo a heart transplant. The procedure is successful, but a year later he begins to receive gifts–such as a heart-shaped locket–with the message Your heart belongs to me. I want it back.

Although it might seem to be a ghost story, Your Heart Belongs to Me is something else entirely. In addition to being a thriller with a medical procedure as a key element, it is an unusual love story. Those who have never read my books–we know who you are–might be surprised to learn that more often than not, a love story is part of the mix. In a romantic relationship, were vulnerable; and when a character in a novel is vulnerable, we are more likely to worry about him or her and to relate more intimately to the story. Furthermore, people in love have something precious to lose, and in their sometimes desperate efforts to hold fast to that love, they reveal themselves more profoundly than they might otherwise.

In the early years of my career–or what we here in Koontzland call the long slog–publishers resisted me when I wanted to mix genres. These days, my publisher encourages me to pursue fresh ways of telling stories. Consequently, Your Heart Belongs to Me is a suspense novel and love story with a thread of the supernatural weaving through it, set against a backdrop of medicine and medical mystery, concerning certain issues of ethics that are timeless–and others that are unique to our time. And I promise you that the medical detail is not so graphic that you will pass out.


A Q&A with Dean Koontz

Q: Your Heart Belongs to Me is very suspenseful but at the same time an affecting love story. How difficult was this to pull off?
A: Well, life is full of suspense and, if were lucky, its full of love as well. From minute to minute and day to day, we never know what will happen to us, good or bad, so suspense is the fundamental condition of existence. That doesnt change when we fall in love or when we love a child or a sibling or a great dog. In fact, the more we love, the more we have to lose, which puts a sharper edge on the suspense in life and in Your Heart Belongs to Me. Ryan Perry, the lead of the story, enjoys self-made wealth and good health and the love of a good woman–so when all that starts to slip away from him, its actually easier for me to move readers to the edge of their seats and keep them there.

Q: Your books are full of details about how things work in the real world–like life in a monastery in Your Heart Belongs to Me is rich with details about medical conditions and heart transplants. Since you dont specialize in one kind of novel, how do you learn about all these different things? Do you engage in a lot of Internet research?
A: I never go on-line. My writing schedule and other obligations keep me busy 18/7. The other six hours, I sleep. I know that I am a potentially obsessive personality and that its easy to become obsessed with one aspect or another of the Internet, until hours a day are consumed by it. Therefore, I stay away. I do most of my research from books and publications, and by conducting interviews with specialists in whatever fields my story will touch upon. One of my assistants is on-line, and in a pinch, if I cant turn up a fact I need, she can get it for me. As a high-school and college student, I hated research and libraries. I always shamelessly made up the facts in reports that I wrote, and cited nonexistent books by nonexistent writers in my footnotes. And I always got away with it! But as a novelist, Ive been surprised to find that I greatly enjoy doing research. I think the difference is–in school, they told me what I had to learn, and I bristled at authority; when I chose the subject, I proved to be an industrious autodidact.

Q: Your hero in Your Heart Belongs to Me, Ryan Perry, is different from your other heroes, like Odd Thomas and Mitchell Rafferty and Tim Carrier. What was it about the story you were telling in Your Heart Belongs to Me that required this change?
A: Most of my heroes come from ordinary occupations–a fry cook, a baker, a mason, a gardener, a bartender–which makes them like many of my friends in real life. But Ryan Perry in Your Heart Belongs to Me has made a couple hundred million from an Internet business. For this story, I needed a hero who, at the opening, has everything: hes wealthy, he has a beautiful girlfriend whom he loves and who loves him, he essentially leads a life of leisure at 34, hes vigorous and handsome and charming…. And then everything that really matters begins to slip away from him. He had to be at the top in order to be at risk of a long fall. As he begins to think that some people in his life are involved in a conspiracy to kill him, he needed to be a man of exceptional resources to pursue that investigation.

Q: Where did the idea for Your Heart Belongs to Me come from?
A: I was on the phone with a friend, talking about a smorgasbord of things, when the subj

Why Buy A Your Heart Belongs To Me By Dean Koontz?
Book Description

From the #1 New York Times bestselling master of suspense comes a riveting thriller that probes the deepest terrors of the human psyche—and the ineffable mystery of what truly makes us who we are. Here a brilliant young man finds himself fighting for his very existence in a battle that starts with the most frightening words of all…

At thirty-four, Internet entrepreneur Ryan Perry seemed to have the world in his pocket—until the first troubling symptoms appeared out of nowhere. Within days, he’s diagnosed with incurable cardiomyopathy and finds himself on the waiting list for a heart transplant; it’s his only hope, and it’s dwindling fast. Ryan is about to lose it all…his health, his girlfriend Samantha, and his life.

One year later, Ryan has never felt better. Business is good and he hopes to renew his relationship with Samantha. Then the unmarked gifts begin to appear—a box of Valentine candy hearts, a heart pendant. Most disturbing of all, a graphic heart surgery video and the chilling message: Your heart belongs to me.

In a heartbeat, the medical miracle that gave Ryan a second chance at life is about to become a curse worse than death. For Ryan is being stalked by a mysterious woman who feels entitled to everything he has. She’s the spitting image of the twenty-six-year-old donor of the heart beating steadily in Ryan’s own chest.

And she’s come to take it back.

Amazon Exclusive Essay: Dean Koontz on Writing Your Heart Belongs to Me

I have been asked by the secret masters of Amazon how much research into transplant surgery I did before writing Your Heart Belongs to Me. I would like to reveal that, in the interest of accuracy and the accumulation of vivid detail, and because I bring total commitment to my writing, I underwent a heart transplant myself, even though I didnt need one. This would be a lie, however, and people without a sense of humor would write by the hundreds to accuse me of taking a perfectly good heart needed by some patient who really needed it.

To prepare for this novel, I read a few books on the subject of transplants, watched two educational films during which I passed out repeatedly at the sight of blood, and spoke with a few medical specialists in the field–largely to ascertain how they manage not to pass out in surgery every time they expose the pulsing internal organs of a patient.

Ryan Perry, the lead of Your Heart Belongs to Me, is 34, wealthy from the Internet social-networking site that he created, with an ideal life ahead of him. Then he learns he suffers from cardiomyopathy and will die within a year if he does not undergo a heart transplant. The procedure is successful, but a year later he begins to receive gifts–such as a heart-shaped locket–with the message Your heart belongs to me. I want it back.

Although it might seem to be a ghost story, Your Heart Belongs to Me is something else entirely. In addition to being a thriller with a medical procedure as a key element, it is an unusual love story. Those who have never read my books–we know who you are–might be surprised to learn that more often than not, a love story is part of the mix. In a romantic relationship, were vulnerable; and when a character in a novel is vulnerable, we are more likely to worry about him or her and to relate more intimately to the story. Furthermore, people in love have something precious to lose, and in their sometimes desperate efforts to hold fast to that love, they reveal themselves more profoundly than they might otherwise.

In the early years of my career–or what we here in Koontzland call the long slog–publishers resisted me when I wanted to mix genres. These days, my publisher encourages me to pursue fresh ways of telling stories. Consequently, Your Heart Belongs to Me is a suspense novel and love story with a thread of the supernatural weaving through it, set against a backdrop of medicine and medical mystery, concerning certain issues of ethics that are timeless–and others that are unique to our time. And I promise you that the medical detail is not so graphic that you will pass out.

A Q&A with Dean Koontz

Q: Your Heart Belongs to Me is very suspenseful but at the same time an affecting love story. How difficult was this to pull off? A: Well, life is full of suspense and, if were lucky, its full of love as well. From minute to minute and day to day, we never know what will happen to us, good or bad, so suspense is the fundamental condition of existence. That doesnt change when we fall in love or when we love a child or a sibling or a great dog. In fact, the more we love, the more we have to lose, which puts a sharper edge on the suspense in life and in Your Heart Belongs to Me. Ryan Perry, the lead of the story, enjoys self-made wealth and good health and the love of a good woman–so when all that starts to slip away from him, its actually easier for me to move readers to the edge of their seats and keep them there.

Q: Your books are full of details about how things work in the real world–like life in a monastery in Brother Odd, the management of a great Bel Air estate and the intricacies of police work in The Face, Your Heart Belongs to Me is rich with details about medical conditions and heart transplants. Since you dont specialize in one kind of novel, how do you learn about all these different things? Do you engage in a lot of Internet research? A: I never go on-line. My writing schedule and other obligations keep me busy 18/7. The other six hours, I sleep. I know that I am a potentially obsessive personality and that its easy to become obsessed with one aspect or another of the Internet, until hours a day are consumed by it. Therefore, I stay away. I do most of my research from books and publications, and by conducting interviews with specialists in whatever fields my story will touch upon. One of my assistants is on-line, and in a pinch, if I cant turn up a fact I need, she can get it for me. As a high-school and college student, I hated research and libraries. I always shamelessly made up the facts in reports that I wrote, and cited nonexistent books by nonexistent writers in my footnotes. And I always got away with it! But as a novelist, Ive been surprised to find that I greatly enjoy doing research. I think the difference is–in school, they told me what I had to learn, and I bristled at authority; when I chose the subject, I proved to be an industrious autodidact.

Q: Your hero in Your Heart Belongs to Me, Ryan Perry, is different from your other heroes, like Odd Thomas and Mitchell Rafferty and Tim Carrier. What was it about the story you were telling in Your Heart Belongs to Me that required this change? A: Most of my heroes come from ordinary occupations–a fry cook, a baker, a mason, a gardener, a bartender–which makes them like many of my friends in real life. But Ryan Perry in Your Heart Belongs to Me has made a couple hundred million from an Internet business. For this story, I needed a hero who, at the opening, has everything: hes wealthy, he has a beautiful girlfriend whom he loves and who loves him, he essentially leads a life of leisure at 34, hes vigorous and handsome and charming…. And then everything that really matters begins to slip away from him. He had to be at the top in order to be at risk of a long fall. As he begins to think that some people in his life are involved in a conspiracy to kill him, he needed to be a man of exceptional resources to pursue that investigation.

Customer Reviews & Opinions

Great Read…
I am sick and tired of reading customer reviews that just complain about this book not being like every other book Dean Koontz had written. I bet these are probably the same people who would write a review about a book and say, “this book sounded just like his last book, get an original idea already.” As a writer, I’m sure he wants to experiement with different styles and different means of telling a story. I loved the book and thought that psychological aspect was riveting, even though at times the main character was not always likeable. For me that made the character growth even more rewarding. In my opinion this book was one of the better books of his I have read. I admit I have not yet read everything he had written but I’m working on it. I am currently readying The Darkest Evening of the Year and Your Heart Belongs To Me, blows that one out of the water. I hope to see more books of this caliber.

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Barneys Big Surprise! Live On Stage By Barney

Barneys Big Surprise! Live On Stage By Barney
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Where The Wild Things Are Cd: In The Night Kitchen,Outside Over There, Nutshell Library,Sign On Rosies Door, Very Far Away By Maurice Sendak

Where The Wild Things Are Cd: In The Night Kitchen,Outside Over There, Nutshell Library,Sign On Rosies Door, Very Far Away By Maurice Sendak
Why Buy A Where The Wild Things Are Cd: In The Night Kitchen,Outside Over There, Nutshell Library,Sign On Rosies Door, Very Far Away By Maurice Sendak?
Where the Wild Things Are is one of those truly rare books that can be enjoyed equally by a child and a grown-up. If you disagree, then its been too long since youve attended a wild rumpus. Max dons his wolf suit in pursuit of some mischief and gets sent to bed without supper. Fortuitously, a forest grows in his room, allowing his wild rampage to continue unimpaired. Sendaks color illustrations (perhaps his finest) are beautiful, and each turn of the page brings the discovery of a new wonder.

The wild things–with their mismatched parts and giant eyes–manage somehow to be scary-looking without ever really being scary; at times theyre downright hilarious. Sendaks defiantly run-on sentences–one of his trademarks–lend the perfect touch of stream of consciousness to the tale, which floats between the land of dreams and a childs imagination.

This Sendak classic is more fun than youve ever had in a wolf suit, and it manages to reaffirm the notion that theres no place like home.

Customer Reviews & Opinions

excelent
This book is a clasic. I had this for my daughters when they were young, but it had gotten lost. I tried to buy it at a local book store for my grandson now that he is old enought to sit down and have a book read to him and they said they couldn’t even order it. I was really happy to find this book and even happier with the condition of the book and the great service I recieved. thank you very much.

Unable to view the DVD
I live in Australia. I purchased the DVD expecting to have no problems with viewing. Unfortunately the selling agent failed to inform me that it wasn’t readable in my country so I wasted me money.

Beverley Rogers

Where the Wild Things Are
Product arrived as described. Media mail took about two weeks to deliver item. Thank-you.

A Great Classic Children’s Book
This is a great classic children’s book. It is a fun and imaginative story about a little boy, Max, that gets into trouble and has to got to bed without his supper. He then starts to image that his room is turning into a forest and that a boat appears. He sails off to where the wild things are and becomes their King. Despite having lots of fun with them he longs for being back home where he is loved and starts to smell good food in the distance. So he sails back toward the smell, back home and awakes to find that his mother has left his supper in his room for him. And it is still warm.

The only negatives I have are that many of the sentences ran on too long from one page to the next and that too many of the pages had no text at all. When reading this story to my 4 year old I always just make up my own text to go with the pictures only pages. But since this is an award winning book I am sure that those items are just a person taste thing with me and not a problem for most people.

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Baby Einstein: Baby Santa

Baby Einstein: Baby Santa

Baby Einstein: Baby Santa
Why Buy A Baby Einstein: Baby Santa?
Baby Santa Music CD celebrates the holiday spirit with music of the world! A soothing, holiday-oriented companion piece to the BABY SANTA DVD, this album introduces infants to the world of multicultural Christmas carols and other pleasant reminders of the season of giving. Some highlights include a Caribbean-flavored Twelve Days of Christmas, reggae- and samba-styled versions of Jingle Bells, and a lovely Hanukkah medley.

Music Tracks:

  • Jingle Bells, Traditional
  • Deck the Halls, Traditional
  • Toy Symphony, Leopold Mozart
  • The Dreidel Song, Traditional
  • Joy to the World, Traditional
  • Joy to the World, Reggae Style
  • 12 Days of Christmas, Caribbean Style
  • German Dance No. 3, Sleigh Ride,: W.A. Mozart
  • Jingle Bells, Traditional
  • Jingle Bells, Samba Style
  • Hanukkah Medley, Traditional
  • Bring a Torch, Jeanette Isabella, France
  • Snowbird on the Ashbank, Appalachia
  • The Wexford Carol, Celtic
  • Lo, How a Rose Eer Blooming, Germany
  • Oshogastu (The New Year), Japan
  • We Wish You a Merry Christmas, Traditional
  • We Wish You a Merry Christmas, African Pop Style
  • Hanukkah, O Hanukkah, Traditional
  • Hallelujah Chorus, Handel
  • Silent Night, Traditional

Holiday Concert for Little Ears:

  • Orchestra Tune Up
  • Brandenburg Concerto No. 4, Bach Nutcracker Suite, Tchaikovsky
  • Trepak (Russian Dance)
  • Tea (Chinese Dance)
  • Dance of the Sugar-Plum Fairy
  • Coffee (Arabian Dance)
  • Dance of the Reed Pipes
  • Waltz of the Flowers
  • Symphony No. 9, Beethoven

Customer Reviews & Opinions

Wonderful
I gave it as a gift to a relative who has a 8 month old and it is a big hit…

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Baby Einstein:Meet The Orchestra By Baby Einstein

Baby Einstein:Meet The Orchestra By Baby Einstein
Why Buy A Baby Einstein:Meet The Orchestra By Baby Einstein?
Meet the Orchestra music CD is a 17-track, 36-minute concert featuring a collection of fun classical melodies to introduce your little one to the sounds of the orchestra. Each delightful piece was specially selected and produced to teach the different sections of an orchestra.

Customer Reviews & Opinions

MY DAUGHTER LOVES IT!
SHE REALLY LOVES IT IT’S LIKE SHE KEEPS QUIET AND LISTENS WITH A SMILE. IT’S WONDERFUL.

genious :-)
I love all the Baby Einstein videos and so does my niece who I got it for :-)

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Spider-Man 3: Music From And Inspired By

Spider-Man 3: Music From And Inspired By
Why Buy A Spider-Man 3: Music From And Inspired By?
You know youre dealing with a real blockbuster when the soundtrack is made up not only of rocking tracks, but of rocking tracks that were recorded specifically for the movie instead of being fished out of various preexisting albums. (Okay, except for Chubby Checkers The Twist–that one’s not hot off the presses.) Such is the power of Spidey that he inspired the likes of Snow Patrol, the Killers, Jet, Yeah Yeah Yeahs, and Wolfmother–and of course you just have to look at the title of The Supreme Being Teaches Spider-Man How to Be in Love to know the song is by the Flaming Lips. The overall mood is less heavy than on the previous soundtrack, with the selection hitting pretty close to an alt-rock bulls eye. Highlights include Sealings, a return to form for Yeah Yeah Yeahs; the Walkmens evocative Red River; and Jets Falling Star, a muscular piece of retro-balladry. Among the oddities are Coconut Records, the new project of actor (and former Phantom Planet member) Jason Schwartzman; its contribution, the lovely Summer Day, features backup vocals by Kirsten Mary Jane Dunst. Still, sometimes a big name is not needed: One of the best tracks, the anthemic Portrait of a Summer Thief, is by the unsigned (as of this writing) Austin band Sounds Under Radio. –Elisabeth Vincentelli

Customer Reviews & Opinions

Look what Spidey caught in his web!!
Spiderman 3 is the latest in the hugely successful franchise, and like its predecessors, comes with a great accompanying rock soundtrack with a diverse array of sounds.

In keeping with the darker theme of the story, the songs are more downbeat this time around, comprising mostly new songs (with the exception of Chubby Checker’s “The twist”).

Opening is Snow Patrol in their typical melancholic sound with “Signal fire” (already a UK top 10 hit).

The Killers get out the buzzing guitars for the upbeat “Move away”, which is all things we know and love about them.

Still on the upbeat side of things are “Sealings” by yeah Yeah yeahs (with rough, jagged guitars), the rocking “Pleased to meet you” by Wolfmother, the dance rock “Cut off the top” by Beatsteaks, “Portrait of a summer thief” by Sounds Under Radio, and “Small parts” by The Oohlas (with its sunny, girl group sound).

For ballads, we have “Red river” by The Walkmen, “Stay free” by Black Mountain, the acoustic “Sightlines” by Rogue Wave, the gentle, folk-like “Summer day” by Coconut Records”, the jangly “Falling star” by Jet, and “A letter from St Jude” by The Wyds.

Special mention has to be made of two songs; The Flaming Lips give us a Wings-meets-Queen ballad “The Supreme being teaches Spiderman how to be in love” (which manages to name drop Mohammed Ali, and incorporate bits of the Spiderman theme), and the lovely “Scared of myself” (very touching lyrics, - Cause I’m scared, scared of myself without you- dealing with Spidey’s fear of losing Mary Jane) by Simon Dawes, who has an incredible voice.

A superb soundtrack!!

They Always Pick The Best
All 3 Spider-Man soundtracks have been absolutely amazing. This one has my favorite Spider-Man song. Signal Fire by Snow Patrol. I don’t know what it is about the song, but i honestly just well up and get moist in the eyes, it’s just a beautiful song. I really like the music video for it on the DVD with the kids at the play. Aside from that amazing song, all the other on here just fit the movie perfectly and I find myself listening to it all the time now.

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Monsters Vs. Aliens

Monsters Vs. Aliens

Monsters Vs. Aliens
Why Buy A Monsters Vs. Aliens?
Original soundtrack to the 2009 animated motion picture with music composed by Henry Jackman. Also features songs from The Exciters, Little River Band, Sheb Wooley, Sam The Sham & The Pharaohs and The B-52s. When California girl Susan Murphy is unwittingly clobbered by a meteor full of outer space gunk on her wedding day, she mysteriously grows to 49-feet-11-inches tall. Alerted to the threat of this new monster, the military jumps into action and Susan is captured and secreted away to a covert government compound. There, she is renamed Ginormica and placed in confinement with a ragtag group of other monsters. Their confinement is cut short, however, when a mysterious alien robot lands on Earth and begins storming the country. In a moment of desperation, The President is persuaded by General W.R. Monger to enlist the motley crew of Monsters to combat the Alien Robot and save the world from imminent destruction.

Customer Reviews & Opinions

Henry Jackman’s First Solo Effort Is Great Fun
Dreamworks Animation films usually have 1 thing in common, and that is a Hans Zimmer or Zimmer associated score. With 2009 being the year of only 1 Hans Zimmer score he has given fellow composer Henry Jackman his first solo effort. Jackman has been working under Zimmer since 2006 as an additional composer doing lots of work on the last two Pirates films and The Holiday notably. Monsters Vs Aliens is Jackman’s first solo effort and boy it’s a breath of fresh air. Not to say I don’t love the whimsy sounds of Rupert Gregson-Williams, but something about this score just feels fresh. While he utilizes electronics the majority and heart of the score is orchestral.

Early on in the score Jackman sets up with the two major themes of the score. They are subtly played throughout the score. The monsters theme can first be heard in “Meet The Monsters” and it has this great folky jazz vibe. The full-out version of the theme is the track titled “Monster Mojo”. The other theme which can be heard slightly in the first track kind of becomes the main theme even though Jackman never really beats us over the head with it. It can be heard in full glory in “The Ginormica Suite” and while I hate saying it the sound is very Zimmeresque. There is that simplicity and light heartedness that reminds me of Zimmer’s lighter scores and it does indeed bring a smile to my face. While Hans did serve as Executive Score Producer this is clearly a Henry Jackman score.

The entire score is a really fun listen. It has a certain bounce to it that is hard to describe, but it’ll keep you listening. Jackman has certainly impressed me with what has to be one of the greatest freshman efforts to come from an RCP composer in a long time. Bravo. So, get the score and give it a listen. It’s really great to play in the car and it’s a nice light way to break out of the winter months of heavy serious scoring into the summer months ahead.

This is a fun soundtrack
This soundtrack is missing Harold Faltermeyer’s “Axle F”. The song is performed briefly at a funny part in the movie. Despite this minor omission, this is still a fun soundtrack. Henry Jackman still scores an excellent film. I love the sci fi sound of “A Giant Transformation”. I love the feeling of danger he creates with the track “The Battle at Golden Gate Bridge”. I love the groovy sound of “Monster Mojo”. “Ginormica Suite” is a beautiful instrumental piece performed during the ending credits of the movie. “Do Something Violent is an instrumental that really pumps me up. “Purple People Eater”, “Wooley Bully”, and the track by the Little River Band are classic tracks that are fun to listen to. I really like this soundtrack.

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E.T. The Extra-Terrestrial: Original Motion Picture Soundtrack

E.T. The Extra-Terrestrial: Original Motion Picture Soundtrack
Why Buy A E.T. The Extra-Terrestrial: Original Motion Picture Soundtrack?
While director Steven Spielberg has sometimes termed his blockbuster hit E.T. the Extra-Terrestrial a loose sequel to his similarly themed Close Encounters of the Third Kind, that notion only underscores the breadth of John Williamss talents as a composer and tempts the listener to consider this score a sort of second, more nakedly emotional movement to his CE3K music. As in his epic Star Wars work, the musical touchstone is early-20th-century Russian romanticism, a link that becomes even clearer with the restoration of three fragile, largely atmospheric cues (Main Titles, Meeting E.T., and E.T.s New Home). While Williams has often suffered odd accusations of emotional manipulation–which is, after all, precisely the job of a film composer–his E.T. music is still some of his most compelling, recalling Herrmanns delicate, pastoral touch on The Magnificent Ambersons in its first half, then steadily ratcheting up the tension as the scores insistent brass motif intrudes ever more ominously. Two decades later, the 15-minute sweep of Escape/Chase/Saying Goodbye remains one of Williamss most powerful and memorable film-music achievements. This edition also features an illustrated booklet with a new interview with the composer. –Jerry McCulley

Customer Reviews & Opinions

Can I Phone A Friend?
When I first saw E.T. I hid in the crook of my aunt’s elbow for the first 15 minutes and John Williams was a large part of it. The terror that was instilled in my little 5 year old heart was beyond my rationale as these faceless men chased E.T. with a cacophonous orchestra cranking up the intensity along with the chase. It wasn’t until the much later VHS release that I could recall what happened in that scene visually, because I had my eyes closed. But I couldn’t close my ears and the music said everything; “You are supposed to be scared. You should be running.” Oh how I wanted to run.

Nowadays, being much older and much braver, E.T. is among my 10 favorite movies of all time and the score is in my top 5. John Williams gives us a score that swells with emotion to the bursting point. The whimsy (particularly with the nod to John’s earlier work in Empire Strikes Back), the literally soaring beauty of the Flying Theme, and the 20th Century tension that follows the government as they try to track down our little hero.

The highlight of the score is the 15 minute plus “Escape/Chase/Saying Goodbye”. I firmly believe that it’s a gutsy move for a composer to introduce a new major theme in the last 15 minutes and expect the listener to respond to it, but it works. The 11 note motif is my favorite theme and it’s what drives us from the children’s escape with E.T. to the end of the movie. Every time I listen to it, I stop what I’m doing and devote myself fully to the music. If I’m particularly invested, when the goodbyes are all said and done and E.T. stands nobely at the entrance of his spacecraft, the ramp raising up, the iris door closing in on his fully restored beating heartlight, I have been known to get more than just a bit misty eyed.

Everyone should own this soundtrack. Even if you’ve never seen the movie, or have and didn’t like it for some heartless reason, the music is inspirational, exciting, terrifying and downright fun.

A review for the original version released 27 years ago…..
27 years ago right after I saw this film in 1982, I went out and bought the original motion picture soundtrack; MCA-6109. Since then, it has been my preferred musical experience for E.T. The Extra-Terrestrial. Yes, in the ensuing years that followed, I purchased both of the expanded scores because I am a fan of John Williams. I feel that this oscar winning score is his best work and I wanted to get as much music from the film as possible no matter what it was. While I enjoyed each of the expanded scores, MCA-6109 remains the best E.T. experience for fans in my humble opinion. Even though it is only 40 minutes in length, it has just the right mix of material to give you the feel of the film as a whole and it is really all that you need; unless you are a die-hard fan like myself. In fact, I listen to MCA-6109 more than the other expanded releases.

My reasons for placing the original release over the others is that I feel that the concert pieces John scored for this album are arranged better. Yes it is a different feel but for me they are glorious. Not to take away from what appeared in the actual film of course but thematically the original album is a better listening experience. The lengthy expanded versions while great I think are a bit slow going and too repetitive in some material and in at least one instance, there is a spot in a track that did not appear in the film version. I am speaking of the escape and goodbye sequence at the end of the film. On the original MCA-6109, you are getting a complete presentation of that sequence. The track is called, “Adventure On Earth”. On the expanded versions during the goodbye cue, they have placed an alternate cue there that was not in the film. Compare the DVD version with the expanded version, and you’ll hear the difference. In the film version, it works. In the expanded, it just doesn’t. I was very disappointed with that because that cue is probably the most touching cue in the film. Why they did not give us the actual cue as heard in the film is beyond my comprehension! The cue however is intact on the original MCA-6109. That is a pretty big reason for me to prefer it over the expanded but overall the entire original album is a must! It sums up thematically the entire film in 40 minutes and is wonderful. The track list:

1. Three Million Light Years From Home

2. Abandoned And Pursued

3. E.T. And Me

4. E.T.’s Halloween

5. Flying

6. E.T. Phone Home

7. Over The Moon

8. Adventure On Earth

For me, there isn’t a poor track on this at all. For all of you out there, I recommend that you pick this up simply to augment your experience; even if you already own one of the expanded versions this is more than worth it and you will get the original goodbye cue that was composed for the film. I had read that really nobody gave a review for MCA-6109 so I thought it was about time for one. Hopefully this was enough information for you. If not, simply leave a comment and ask a question and I will be happy to answer it to the best of my ability. :)

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E.T. The Extra-Terrestrial: The 20th Anniversary Edition

E.T. The Extra-Terrestrial: The 20th Anniversary Edition
Why Buy A E.T. The Extra-Terrestrial: The 20th Anniversary Edition?
While director Steven Spielberg has sometimes termed his blockbuster hit E.T. the Extra-Terrestrial a loose sequel to his similarly themed Close Encounters of the Third Kind, that notion only underscores the breadth of John Williamss talents as a composer and tempts the listener to consider this score a sort of second, more nakedly emotional movement to his CE3K music. As in his epic Star Wars work, the musical touchstone is early-20th-century Russian romanticism, a link that becomes even clearer with the restoration of three fragile, largely atmospheric cues (Main Titles, Meeting E.T., and E.T.s New Home). While Williams has often suffered odd accusations of emotional manipulation–which is, after all, precisely the job of a film composer–his E.T. music is still some of his most compelling, recalling Herrmanns delicate, pastoral touch on The Magnificent Ambersons in its first half, then steadily ratcheting up the tension as the scores insistent brass motif intrudes ever more ominously. Two decades later, the 15-minute sweep of Escape/Chase/Saying Goodbye remains one of Williamss most powerful and memorable film-music achievements. This edition also features an illustrated booklet with a new interview with the composer. –Jerry McCulley

Customer Reviews & Opinions

Can I Phone A Friend?
When I first saw E.T. I hid in the crook of my aunt’s elbow for the first 15 minutes and John Williams was a large part of it. The terror that was instilled in my little 5 year old heart was beyond my rationale as these faceless men chased E.T. with a cacophonous orchestra cranking up the intensity along with the chase. It wasn’t until the much later VHS release that I could recall what happened in that scene visually, because I had my eyes closed. But I couldn’t close my ears and the music said everything; “You are supposed to be scared. You should be running.” Oh how I wanted to run.

Nowadays, being much older and much braver, E.T. is among my 10 favorite movies of all time and the score is in my top 5. John Williams gives us a score that swells with emotion to the bursting point. The whimsy (particularly with the nod to John’s earlier work in Empire Strikes Back), the literally soaring beauty of the Flying Theme, and the 20th Century tension that follows the government as they try to track down our little hero.

The highlight of the score is the 15 minute plus “Escape/Chase/Saying Goodbye”. I firmly believe that it’s a gutsy move for a composer to introduce a new major theme in the last 15 minutes and expect the listener to respond to it, but it works. The 11 note motif is my favorite theme and it’s what drives us from the children’s escape with E.T. to the end of the movie. Every time I listen to it, I stop what I’m doing and devote myself fully to the music. If I’m particularly invested, when the goodbyes are all said and done and E.T. stands nobely at the entrance of his spacecraft, the ramp raising up, the iris door closing in on his fully restored beating heartlight, I have been known to get more than just a bit misty eyed.

Everyone should own this soundtrack. Even if you’ve never seen the movie, or have and didn’t like it for some heartless reason, the music is inspirational, exciting, terrifying and downright fun.

A review for the original version released 27 years ago…..
27 years ago right after I saw this film in 1982, I went out and bought the original motion picture soundtrack; MCA-6109. Since then, it has been my preferred musical experience for E.T. The Extra-Terrestrial. Yes, in the ensuing years that followed, I purchased both of the expanded scores because I am a fan of John Williams. I feel that this oscar winning score is his best work and I wanted to get as much music from the film as possible no matter what it was. While I enjoyed each of the expanded scores, MCA-6109 remains the best E.T. experience for fans in my humble opinion. Even though it is only 40 minutes in length, it has just the right mix of material to give you the feel of the film as a whole and it is really all that you need; unless you are a die-hard fan like myself. In fact, I listen to MCA-6109 more than the other expanded releases.

My reasons for placing the original release over the others is that I feel that the concert pieces John scored for this album are arranged better. Yes it is a different feel but for me they are glorious. Not to take away from what appeared in the actual film of course but thematically the original album is a better listening experience. The lengthy expanded versions while great I think are a bit slow going and too repetitive in some material and in at least one instance, there is a spot in a track that did not appear in the film version. I am speaking of the escape and goodbye sequence at the end of the film. On the original MCA-6109, you are getting a complete presentation of that sequence. The track is called, “Adventure On Earth”. On the expanded versions during the goodbye cue, they have placed an alternate cue there that was not in the film. Compare the DVD version with the expanded version, and you’ll hear the difference. In the film version, it works. In the expanded, it just doesn’t. I was very disappointed with that because that cue is probably the most touching cue in the film. Why they did not give us the actual cue as heard in the film is beyond my comprehension! The cue however is intact on the original MCA-6109. That is a pretty big reason for me to prefer it over the expanded but overall the entire original album is a must! It sums up thematically the entire film in 40 minutes and is wonderful. The track list:

1. Three Million Light Years From Home

2. Abandoned And Pursued

3. E.T. And Me

4. E.T.’s Halloween

5. Flying

6. E.T. Phone Home

7. Over The Moon

8. Adventure On Earth

For me, there isn’t a poor track on this at all. For all of you out there, I recommend that you pick this up simply to augment your experience; even if you already own one of the expanded versions this is more than worth it and you will get the original goodbye cue that was composed for the film. I had read that really nobody gave a review for MCA-6109 so I thought it was about time for one. Hopefully this was enough information for you. If not, simply leave a comment and ask a question and I will be happy to answer it to the best of my ability. :)

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Josep Bohuslav Foerster: Eva

Josep Bohuslav Foerster: Eva

Josep Bohuslav Foerster: Eva
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